[et_pb_section fb_built=”1″ admin_label=”Hero Section” module_id=”top” _builder_version=”4.27.4″ use_background_color_gradient=”on” background_color_gradient_stops=”#EDB5BF 0%|rgba(0,0,0,0.4) 100%” background_color_gradient_overlays_image=”on” background_color_gradient_start=”#EDB5BF” background_color_gradient_end=”rgba(0,0,0,0.4)” background_enable_image=”off” background_size=”contain” background_position=”bottom_center” custom_margin=”||14px||false|false” custom_padding=”0.3%||0%||false|false” bottom_divider_height=”60px” global_colors_info=”{}” background_color_gradient_direction__hover=”180deg” background_color_gradient_direction__hover_enabled=”180deg” background_color_gradient_start_position__hover=”0%” background_color_gradient_start_position__hover_enabled=”0%” background_color_gradient_end_position__hover=”100%” background_color_gradient_end_position__hover_enabled=”100%” background_color_gradient_stops__hover=”#EDB5BF 0%|rgba(0,0,0,0.4) 100%”][et_pb_row admin_label=”Page Title Area” _builder_version=”4.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width_tablet=”” width_phone=”80%” width_last_edited=”on|phone” min_height=”152.4px” custom_padding=”41px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Hero Section Title” _builder_version=”4.27.4″ text_text_color=”#FFFFFF” text_font_size=”18px” text_line_height=”1.8em” header_font=”Montserrat|600||on|||||” header_font_size=”48px” header_letter_spacing=”3px” header_line_height=”1.3em” header_2_font=”Montserrat|700|||||||” header_2_text_color=”rgba(255,255,255,0.6)” header_2_font_size=”90px” header_2_letter_spacing=”3px” header_2_line_height=”1.1em” text_orientation=”center” background_layout=”dark” max_width=”700px” module_alignment=”center” custom_margin=”|||” animation_style=”fade” animation_direction=”bottom” header_font_size_tablet=”” header_font_size_phone=”28px” header_font_size_last_edited=”on|phone” header_2_font_size_tablet=”” header_2_font_size_phone=”50px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” background_image=”https:\/\/bassoon.oganovic.com\/wp-content\/uploads\/2025\/06\/Image-of-a-bassoon.png” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/bassoon.oganovic.com\/wp-content\/uploads\/2025\/06\/Image-of-a-bassoon.png” title_text=”Image of a bassoon” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”-28px|||||” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” width=”100%” custom_margin=”-26px|||||” global_colors_info=”{}”][et_pb_row make_equal=”on” _builder_version=”4.27.4″ _module_preset=”default” custom_css_main_element=”display: flex;||align-items: center;||justify-content: center;||height: 100%;||” border_color_all=”#000000″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/bassoon.oganovic.com\/wp-content\/uploads\/2025\/06\/2024-07-U-of-M-Summer-Orchestra-concert-bassoon-section.jpg” title_text=”2024-07 U of M Summer Orchestra concert bassoon section” align=”center” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”-48px|||||” custom_css_free_form=”display: flex;||align-items: center;||justify-content: center;||height: 100%;” border_width_all=”5px” border_color_all=”#000000″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” width=”98.9%” custom_margin=”|26px||||” custom_padding=”||0px|1px||” global_colors_info=”{}”]<\/p>\n
I played the bassoon from 1972 to 1978. I pick up the instrument more-or-less on a whim and played it for several years thereafter. I had previously been a pianist, singer, and (at the margins) a violinist, but I had never even held a wind instrument.<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/bassoon.oganovic.com\/wp-content\/uploads\/2025\/06\/2020-10-19-Bob-playing-bassoon-for-virtual-concert.jpg” title_text=”2020-10-19 Bob playing bassoon for virtual concert” align=”center” _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”0px|||||” border_width_all=”5px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
THE BAD NEWS: for several decades thereafter jobs, marriage, fatherhood, traveling for work, focusing on choral music et al<\/em> took priority over the fagott.<\/em><\/p>\n THE GOOD NEWS: I picked up the instrument again 2016, so after this long hiatus I am once again back behind the bocal. In 2019 I bought a new Fox Renaud instrument.<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”-4px|-25px||-20px||” custom_padding=”|||29px||” global_colors_info=”{}”]<\/p>\n In the sections below you can read more about:<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”groups” _builder_version=”4.16″ background_color=”#86B3D1″ custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ admin_label=”Featured Project” _builder_version=”4.27.4″ min_height=”634px” custom_margin=”||||false|false” custom_padding=”|41px|||false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text disabled_on=”off|off|off” admin_label=”Title” _builder_version=”4.16″ text_font=”Montserrat|||on|||||” text_line_height=”1.8em” header_font=”||||||||” header_2_font=”Montserrat|600||on|||||” header_2_font_size=”30px” header_2_line_height=”1.5em” min_height=”119px” custom_margin=”||5px|” animation_style=”slide” animation_direction=”top” animation_intensity_slide=”20%” animation_starting_opacity=”100%” global_colors_info=”{}”]My Performance Partners<\/span><\/p>\n [\/et_pb_text][et_pb_text ul_position=”inside” _builder_version=”4.27.6″ text_font=”||||||||” text_text_color=”gcid-body-color” text_line_height=”1.8em” ul_text_color=”#000000″ header_font=”||||||||” max_width=”90%” custom_margin=”|||” custom_padding=”|0px||||” animation_style=”flip” animation_direction=”left” animation_intensity_flip=”30%” animation_starting_opacity=”100%” hover_enabled=”0″ global_colors_info=”{%22gcid-body-color%22:%91%22text_text_color%22%93}” sticky_enabled=”0″]<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/bassoon.oganovic.com\/wp-content\/uploads\/2025\/06\/Bethel-concert-band.jpg” title_text=”Bethel concert band” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.27.4″ custom_margin=”-56px||13px|||” custom_padding=”62px|||39px||” border_width_all=”5px” border_color_all=”#000000″ box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”Text” _builder_version=”4.27.5″ custom_margin=”|||36px||” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”#top” button_text=”Return to Top” _builder_version=”4.16″ _module_preset=”default” custom_button=”on” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”teachers” _builder_version=”4.16″ background_color=”#4D6D9A” custom_margin=”-48px||1px||false|false” custom_padding=”||68px||false|false” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ admin_label=”Featured Project” _builder_version=”4.16″ min_height=”509px” custom_margin=”||||false|false” custom_padding=”2px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text disabled_on=”off|off|off” admin_label=”Title” _builder_version=”4.27.4″ text_font=”Montserrat|||on|||||” text_text_color=”#000000″ text_line_height=”1.8em” header_font=”||||||||” header_2_font=”Montserrat|600||on|||||” header_2_font_size=”30px” header_2_line_height=”1.5em” min_height=”119px” custom_margin=”||5px|” animation_style=”slide” animation_direction=”top” animation_intensity_slide=”20%” animation_starting_opacity=”100%” global_colors_info=”{}”]<\/p>\n The Folks Who Have Helped Me<\/span><\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.6″ text_font=”||||||||” text_text_color=”#000000″ text_line_height=”1.8em” header_font=”||||||||” max_width=”90%” custom_margin=”|||” custom_padding=”15px|||||” animation_style=”flip” animation_direction=”left” animation_intensity_flip=”30%” animation_starting_opacity=”100%” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Over the years I have taken bassoon lessons from <\/span>William L. Jones<\/a>, <\/span>Norbert Nielubowski<\/a>,<\/span> <\/span>Nick Van Duzee<\/a>,<\/span><\/span> Katie Bauernfeind<\/a>, and Alexandra Berndt<\/a>.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/bassoon.oganovic.com\/wp-content\/uploads\/2025\/06\/Katie-Bauernfeind-and-Bob-Oganovic.jpg” title_text=”Katie Bauernfeind and Bob Oganovic” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.27.4″ custom_margin=”-56px||13px|||” custom_padding=”62px|||39px||” border_width_all=”5px” border_color_all=”#000000″ box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ text_text_color=”#000000″ custom_margin=”|||36px||” custom_padding=”||0px|||” global_colors_info=”{}”]<\/p>\n Katie Bauernfeind and I are shown here in a photograph taken in September 2017. Katie is a bassoon specialist for Fox and a fine performer and teacher. My t-shirt reads “BASSOON – I wet my reeds with the tears of brass player<\/strong>” [sic].<\/em><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”#top” button_text=”Return to Top” _builder_version=”4.16″ _module_preset=”default” custom_button=”on” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Section” module_id=”ll” _builder_version=”4.16″ background_color=”#99CED3″ custom_margin=”||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ admin_label=”Featured Project” module_id=”#ll” _builder_version=”4.16″ custom_margin=”||||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text disabled_on=”off|off|off” admin_label=”Title” _builder_version=”4.27.4″ text_font=”Montserrat|||on|||||” text_line_height=”1.8em” header_font=”||||||||” header_2_font=”Montserrat|600||on|||||” header_2_font_size=”30px” header_2_line_height=”1.5em” custom_margin=”||5px|” animation_style=”slide” animation_direction=”top” animation_intensity_slide=”20%” animation_starting_opacity=”100%” global_colors_info=”{}”]<\/p>\n Performance<\/span><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ text_font=”||||||||” text_line_height=”1.8em” header_font=”||||||||” max_width=”90%” custom_margin=”|||” custom_padding=”||0px|||” animation_style=”flip” animation_direction=”left” animation_intensity_flip=”30%” animation_starting_opacity=”100%” global_colors_info=”{}”]<\/p>\n The marvelous English composer Ralph Vaughan Williams arranged the Scottish ballad Loch Lomond<\/em> for 4 men\u2019s voice parts and baritone soloist. I have, in turn, transcribed it for multiple bassoons making these minor changes from RVW’s manuscript:<\/span><\/p>\n \u2022 Shifting the original key of G major down a whole step to F major.<\/span> The audio performance features multiple tracks with me playing each part; this was created using the Audacity and Studio One software applications.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/bassoon.oganovic.com\/wp-content\/uploads\/2025\/06\/ralph-vaughan-williams.jpeg” title_text=”ralph-vaughan-williams” admin_label=”Image” _builder_version=”4.27.4″ _module_preset=”default” width=”59.4%” border_width_all=”5px” border_color_all=”#000000″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ custom_margin=”|||2px||” custom_padding=”||0px|||” global_colors_info=”{}”]Ralph Vaughan Williams (1872-1958)<\/em><\/span> [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_line_height=”1.8em” header_font=”||||||||” max_width=”90%” custom_margin=”|||” custom_padding=”||0px|||” animation_style=”flip” animation_direction=”left” animation_intensity_flip=”30%” animation_starting_opacity=”100%” locked=”off” global_colors_info=”{}”]This was more an experiment in recording and editing than a musical performance. Because I was recording it in my office there was no natural ambience, so I added artificial reverb through the software (which, admittedly, sounds somewhat artificial). I also edited out breaths, digitally added a few dynamics and a ritardando<\/em> at the end, and did some vocal thickening (a trick common in pop music). It\u2019s not perfect by any means. In particular, the final product is muddier than I would have hoped \u2013 the rich, close harmonies of the male voices become muddier with the clashing overtones of multiple bassoons. Having said all that, I learned a great deal from the exercise.<\/span> [\/et_pb_text][et_pb_text _builder_version=”4.27.6″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n <\/p>\n\n
Groups With Which I Have Played the Bassoon<\/h2>\n
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Teachers<\/span><\/h2>\n
Transcription for Multiple Bassoons of Loch Lomond<\/em> by Ralph Vaughan Williams<\/span><\/h2>\n
\u2022 Adding a lower octave on a few measures.<\/span>
\u2022 Adding a higher voice \u201cecho chord\u201d right at the end.<\/span><\/p>\n
\n[\/et_pb_text][et_pb_audio audio=”https:\/\/bassoon.oganovic.com\/wp-content\/uploads\/2021\/05\/LL-In-the-can-ABSOLUTELY-FINAL.mp3″ _builder_version=”4.16″ _module_preset=”default” width=”78.1%” min_height=”52px” global_colors_info=”{}”][\/et_pb_audio][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_cta button_url=”https:\/\/bassoon.oganovic.com\/wp-content\/uploads\/2025\/06\/Loch-Lomond-original-choral-score.pdf” button_text=”Original choral score (PDF)” _builder_version=”4.27.4″ _module_preset=”default” header_text_color=”#000000″ body_text_color=”#000000″ background_color=”RGBA(255,255,255,0)” custom_button=”on” button_text_color=”#000000″ button_icon_placement=”left” button_alignment=”left” background_layout=”light” background_layout_last_edited=”off|desktop” global_colors_info=”{}”][\/et_pb_cta][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_cta button_url=”https:\/\/bassoon.oganovic.com\/wp-content\/uploads\/2021\/05\/Loch-Lomond-RVW-transposed-to-F-Full-Score.pdf” button_text=”Score for multi-bassoon transcription (PDF)” _builder_version=”4.27.4″ _module_preset=”default” header_text_color=”#000000″ body_text_color=”#000000″ background_color=”RGBA(255,255,255,0)” custom_button=”on” button_text_color=”#000000″ button_alignment=”left” background_layout=”light” background_layout_last_edited=”off|desktop” locked=”off” global_colors_info=”{}”][\/et_pb_cta][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” min_height=”93px” custom_margin=”|auto||auto|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” custom_padding=”14px|||||” global_colors_info=”{}”]<\/p>\nNotes Regarding the Arrangement & Recording<\/strong><\/h4>\n
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”#top” button_text=”Return to Top” _builder_version=”4.16″ _module_preset=”default” custom_button=”on” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”repertoire” _builder_version=”4.16″ background_color=”#5F6366″ min_height=”1002px” custom_margin=”-7px||||false|false” custom_padding=”37px||0px||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.6″ background_color=”#5F6366″ min_height=”1285px” custom_margin=”35px||||false|false” custom_padding=”|||3px||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text disabled_on=”off|off|off” admin_label=”Title” _builder_version=”4.16″ text_font=”Montserrat|||on|||||” text_line_height=”1.8em” header_font=”||||||||” header_2_font=”Montserrat|600||on|||||” header_2_font_size=”30px” header_2_line_height=”1.5em” min_height=”119px” custom_margin=”-102px||5px||false|false” custom_padding=”66px|||||” animation_style=”slide” animation_direction=”top” animation_intensity_slide=”20%” animation_starting_opacity=”100%” global_colors_info=”{}”]Pieces I Have Played<\/span><\/p>\nExamples of major Repertoire<\/span><\/h2>\n
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\n Composer<\/strong><\/span><\/td>\n Piece (“*” indicates played contrabassoon)<\/em><\/strong><\/span><\/td>\n<\/tr>\n \n Anderson, Leroy<\/span><\/td>\n A Christmas Festival<\/span><\/td>\n<\/tr>\n \n Arnold, Malcolm (arr. Paynter)<\/span><\/td>\n Four Scottish Dances<\/span><\/td>\n<\/tr>\n \n Bach, J.S.<\/span><\/td>\n Cantata 140,\u00a0Wachet auf, ruft uns die Stimme<\/span><\/td>\n<\/tr>\n \n Beethoven, Ludwig van<\/span><\/td>\n Coriolanus\u00a0Overture<\/span><\/td>\n<\/tr>\n \n <\/td>\n Piano Concerto No. 4 (mvt. 1)<\/span><\/td>\n<\/tr>\n \n <\/td>\n Piano Concerto No. 5, Emperor<\/span><\/td>\n<\/tr>\n \n <\/td>\n Symphony No. 1<\/span><\/td>\n<\/tr>\n \n <\/td>\n Symphony No. 5 (1st\u00a0movement)<\/span><\/td>\n<\/tr>\n \n <\/td>\n Symphony No. 7<\/span><\/td>\n<\/tr>\n \n Berlioz, Hector<\/span><\/td>\n Symphonie Fantastique\u00a0(mvt. 3 & 4)<\/span><\/td>\n<\/tr>\n \n Bizet, Georges<\/span><\/td>\n Carmen Suites 1 & 2 (selections)<\/span><\/td>\n<\/tr>\n \n Boulanger, Lili<\/span><\/td>\n D’un matin de printemps<\/span><\/td>\n<\/tr>\n \n Coleridge-Taylor, Samuel<\/span><\/td>\n Ballade<\/span><\/td>\n<\/tr>\n \n <\/td>\n Christmas Overture<\/span><\/td>\n<\/tr>\n \n Dett, R. Nathaniel (arr. Pigott)<\/span><\/td>\n In the Bottoms-Introduction and Juba Dance<\/span><\/td>\n<\/tr>\n \n Elgar, Edward<\/span><\/td>\n Nimrod\u00a0from Enigma Variations<\/span><\/td>\n<\/tr>\n \n <\/td>\n Salut d’Amour\u00a0from Enigma Variations<\/span><\/td>\n<\/tr>\n \n Gould, Morton<\/span><\/td>\n Symphony for Band<\/span><\/td>\n<\/tr>\n \n Grainger, Percy<\/span><\/td>\n Children’s March<\/span><\/td>\n<\/tr>\n \n <\/td>\n Hill Song<\/span><\/td>\n<\/tr>\n \n <\/td>\n Lincolnshire Posy<\/span><\/td>\n<\/tr>\n \n Handel, G.F.<\/span><\/td>\n Messiah\u00a0(excerpts)<\/span><\/td>\n<\/tr>\n \n Hindemith, Paul<\/span><\/td>\n Symphony in B-flat<\/span><\/td>\n<\/tr>\n \n Holst, Gustav<\/span><\/td>\n 1st Suite for Military Band in E-flat<\/span><\/td>\n<\/tr>\n \n <\/td>\n 2nd Suite for Military Band in F<\/span><\/td>\n<\/tr>\n \n <\/td>\n Japanese Suite<\/span><\/td>\n<\/tr>\n \n Honegger, Arthur<\/span><\/td>\n Le Roi David\u00a0(final movement\u00a0La mort de David)<\/span><\/td>\n<\/tr>\n \n Mendelssohn, Felix<\/span><\/td>\n Symphony No. 5\u00a0Reformation<\/span><\/td>\n<\/tr>\n \n <\/td>\n The Hebrides<\/span><\/td>\n<\/tr>\n \n Mennin, Peter<\/span><\/td>\n Canzona<\/span><\/td>\n<\/tr>\n \n Mozart, Wolfgang Amadeus<\/span><\/td>\n Overture to\u00a0Don Giovanni<\/span><\/td>\n<\/tr>\n \n Prokofiev, Sergei<\/span><\/td>\n Piano Concerto No. 3 C Major<\/span><\/td>\n<\/tr>\n \n Ravel, Maurice<\/span><\/td>\n Pavane pour une enfante defunte<\/span><\/td>\n<\/tr>\n \n Reed, Alfred<\/span><\/td>\n Alleluia! Laudamus Te<\/span><\/td>\n<\/tr>\n \n Respighi, Ottorino<\/span><\/td>\n *The Pines of Rome<\/span><\/td>\n<\/tr>\n \n Rimsky-Korsakov, Nikolai<\/span><\/td>\n Capriccio Espagnole<\/span><\/td>\n<\/tr>\n \n <\/td>\n Scheherazade<\/span><\/td>\n<\/tr>\n \n Rossini, Gioachino<\/span><\/td>\n Overture Guillaume Tell<\/span><\/td>\n<\/tr>\n \n Saint-Sa\u00ebns, Camille<\/span><\/td>\n Symphony in A (mvt 1 & 2)<\/span><\/td>\n<\/tr>\n \n Schubert, Franz<\/span><\/td>\n Overture (Rosamunde)<\/span><\/td>\n<\/tr>\n \n <\/td>\n Symphony No. 8 (Unfinished)<\/span><\/td>\n<\/tr>\n \n Shostakovich, Dmitri<\/span><\/td>\n Piano Concerto No. 2 in F major (1st\u00a0movement)<\/span><\/td>\n<\/tr>\n \n Sibelius, Jean<\/span><\/td>\n Finlandia<\/span><\/td>\n<\/tr>\n \n <\/td>\n Symphony No. 2<\/span><\/td>\n<\/tr>\n \n Stravinsky, Igor<\/span><\/td>\n Firebird Suite (1919)<\/span><\/td>\n<\/tr>\n \n Tchaikovsky, Pyotr<\/span><\/td>\n Capriccio Italien<\/span><\/td>\n<\/tr>\n \n Vaughan Williams, Ralph<\/span><\/td>\n *Dona Nobis Pacem<\/span><\/td>\n<\/tr>\n \n <\/td>\n English Folk Song Suite<\/span><\/td>\n<\/tr>\n